Joe Jackson + Band: Hope and Fury Tour 2026
Saturday, June 6, 2026, 2000 - 2200
At age 16 Joe played his first paying gig, as pianist in a pub next door to a glue factory just outside of Portsmouth. This was followed by other pub gigs (in which he was often trying to entertain crowds of drunken, bottle-throwing sailors) and accompanying a bouzouki player in a Greek restaurant.
At age 18 Joe won a scholarship to study Composition, Piano, and Percussion at London’s Royal Academy of Music.
By 1978 Joe was living in London and hawking an album-length demo, with his own band (Graham Maby, Bass; Dave Houghton, Drums; Gary Sanford, Guitar) standing by. That demo - already called Look Sharp - eventually found its way to American producer David Kershenbaum, who was in London in the capacity of talent scout for A AND M Records. Joe was immediately signed and Look Sharp more professionally re-recorded in August ’78. The Joe Jackson Band finally started to play regular gigs and the album was released in January 1979.
Joe Jackson’s story up to this point is much more fully, fascinatingly, and hilariously recounted in his book A CURE FOR GRAVITY. From here on, though, it becomes more a matter of public record. Look Sharp was followed within a year by the very similar I’m The Man, and in 1980 by the darker, more reggae-influenced Beat Crazy. At the end of 1980, drummer Houghton decided to quit, and Joe decided to dissolve the band and try something new.
In 1981 Jackson recorded Jumpin’ Jive, a ‘musical vacation’ paying tribute to Swing and Jump Blues artists such as Louis Jordan and Cab Calloway. Returning to songwriting, Joe spent a large chunk of 1982 in New York. The result was Night and Day, a more sophisticated and melodic record built around keyboards and Latin percussion, rather than guitars. With a new guitar-less band, Jackson hit the road for a whole year, and the album became his biggest success, going platinum in the US. During the tour Joe also somehow found time to write his first film score, for James Bridges’Mike’s Murder. (He would go on to write several more, including most notably for Francis Ford Coppola’s Tucker in 1988).
Jackson’s next album Body and Soul(1984) was in a similar vein to Night and Day but featured a horn section (which, along with the Blue Note-inspired cover art, led many people to wrongly assume he’d made a jazz record). For Big World (1986) Jackson stripped everything down to a 4-piece again, and recorded live, direct to 2-track master. In 1989 he went in the opposite direction with the majestic, semi-autobiographical Blaze of Glory, and toured with an 11-piece band. Laughter and Lust (1991) was more like a mainstream (though still idiosyncratic) rock record, but yet another lengthy world tour left Jackson exhausted and at a creative dead end. As he sees it, his workaholic phase - which also included several film scores, a live album (Live 1980-86), an instrumental album (Will Power, 1987), guest appearances with Suzanne Vega, Ruben Blades and Joan Armatrading, and endless touring - was over.
The 1990s brought some of his most challenging and eclectic works: the gentle, soul-searching Night Music (1994), the ambitious and original song-cycle based on the Seven Deadly Sins, Heaven and Hell (1997), and the album Joe considers his best (and most underrated): Night and Day II (2000). The turn of the century saw a burst of creativity: Jackson won his first Grammy (Best Pop Instrumental Album for the non-traditional, non-orchestral Symphony No.1) and published his book A Cure For Gravity.
In 2003 Joe re formed the original Joe Jackson Band for a stunning new album, Volume 4, and a lengthy tour. The reunion was always intended as a one-off, but it also produced a live album, Afterlife, in 2004.
By this time Jackson was living mostly back in London. He made quite a few solo appearances, including on an unusual triple-bill tour with Todd Rundgren and the string quartet Ethel. He sang and played piano on Rickie Lee Jones’ It’s Like That and William Shatner’s Has Been (produced, arranged and co-written by Ben Folds). He was also awarded a Fellowship by the Royal Academy of Music and an Honorary Doctorate by the University of Portsmouth.
In 2006 Joe turned his attention back to pure songwriting and did a short Trio tour with Graham Maby and Dave Houghton. Having failed to happily re-establish himself in London, he moved to Berlin, where his next album Rain was recorded in 2007. Consisting of ten powerful, timeless new songs, Rain creates a surprisingly epic sound with just voices, piano, bass and drums. The trio toured for the next three years. A live album, Live Music, was released in 2011.
Category: Live Music | Rock
Prices:
Admission: USD 58.00,
Admission: USD 119.00
Artist: Joe Jackson
At age 18 Joe won a scholarship to study Composition, Piano, and Percussion at London’s Royal Academy of Music.
By 1978 Joe was living in London and hawking an album-length demo, with his own band (Graham Maby, Bass; Dave Houghton, Drums; Gary Sanford, Guitar) standing by. That demo - already called Look Sharp - eventually found its way to American producer David Kershenbaum, who was in London in the capacity of talent scout for A AND M Records. Joe was immediately signed and Look Sharp more professionally re-recorded in August ’78. The Joe Jackson Band finally started to play regular gigs and the album was released in January 1979.
Joe Jackson’s story up to this point is much more fully, fascinatingly, and hilariously recounted in his book A CURE FOR GRAVITY. From here on, though, it becomes more a matter of public record. Look Sharp was followed within a year by the very similar I’m The Man, and in 1980 by the darker, more reggae-influenced Beat Crazy. At the end of 1980, drummer Houghton decided to quit, and Joe decided to dissolve the band and try something new.
In 1981 Jackson recorded Jumpin’ Jive, a ‘musical vacation’ paying tribute to Swing and Jump Blues artists such as Louis Jordan and Cab Calloway. Returning to songwriting, Joe spent a large chunk of 1982 in New York. The result was Night and Day, a more sophisticated and melodic record built around keyboards and Latin percussion, rather than guitars. With a new guitar-less band, Jackson hit the road for a whole year, and the album became his biggest success, going platinum in the US. During the tour Joe also somehow found time to write his first film score, for James Bridges’Mike’s Murder. (He would go on to write several more, including most notably for Francis Ford Coppola’s Tucker in 1988).
Jackson’s next album Body and Soul(1984) was in a similar vein to Night and Day but featured a horn section (which, along with the Blue Note-inspired cover art, led many people to wrongly assume he’d made a jazz record). For Big World (1986) Jackson stripped everything down to a 4-piece again, and recorded live, direct to 2-track master. In 1989 he went in the opposite direction with the majestic, semi-autobiographical Blaze of Glory, and toured with an 11-piece band. Laughter and Lust (1991) was more like a mainstream (though still idiosyncratic) rock record, but yet another lengthy world tour left Jackson exhausted and at a creative dead end. As he sees it, his workaholic phase - which also included several film scores, a live album (Live 1980-86), an instrumental album (Will Power, 1987), guest appearances with Suzanne Vega, Ruben Blades and Joan Armatrading, and endless touring - was over.
The 1990s brought some of his most challenging and eclectic works: the gentle, soul-searching Night Music (1994), the ambitious and original song-cycle based on the Seven Deadly Sins, Heaven and Hell (1997), and the album Joe considers his best (and most underrated): Night and Day II (2000). The turn of the century saw a burst of creativity: Jackson won his first Grammy (Best Pop Instrumental Album for the non-traditional, non-orchestral Symphony No.1) and published his book A Cure For Gravity.
In 2003 Joe re formed the original Joe Jackson Band for a stunning new album, Volume 4, and a lengthy tour. The reunion was always intended as a one-off, but it also produced a live album, Afterlife, in 2004.
By this time Jackson was living mostly back in London. He made quite a few solo appearances, including on an unusual triple-bill tour with Todd Rundgren and the string quartet Ethel. He sang and played piano on Rickie Lee Jones’ It’s Like That and William Shatner’s Has Been (produced, arranged and co-written by Ben Folds). He was also awarded a Fellowship by the Royal Academy of Music and an Honorary Doctorate by the University of Portsmouth.
In 2006 Joe turned his attention back to pure songwriting and did a short Trio tour with Graham Maby and Dave Houghton. Having failed to happily re-establish himself in London, he moved to Berlin, where his next album Rain was recorded in 2007. Consisting of ten powerful, timeless new songs, Rain creates a surprisingly epic sound with just voices, piano, bass and drums. The trio toured for the next three years. A live album, Live Music, was released in 2011.
Category: Live Music | Rock
Prices:
Admission: USD 58.00,
Admission: USD 119.00
Artist: Joe Jackson
Starting Price Per Person
$ 58.00 USD
Other Information
Where
Fox Tucson Theatre
17 West Congress Street
Tucson Arizona 85701
United States
( Theatre - Cinema Hall )
17 West Congress Street
Tucson Arizona 85701
United States
( Theatre - Cinema Hall )
Event Organizer Contact
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Event ID: 261577
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